Home Schooling is Seldom Done at Home! :: Personal Narrative Essay Example

My Home Schooling is Seldom Done at Home! I am composing this paper in the desire for addressing two inquiries that you may have for any individual who learns at home: for what reason do I self-teach and how would I do it? Â Subsequent to moving on from the Antioch School, a private elective school associated with Antioch College, I chose to spend my seventh grade year at Ridgewood, a private academy. This was as opposed to going on the Yellow Springs Junior High like a large portion of my companions. I picked Ridgewood basically for one explanation: the understudies. They were upbeat, exuberant, tolerating, and appeared to be keen on their work. Â In spite of the fact that I got generally excellent evaluations, and did very well scholastically at Ridgewood, I found that my learning was controlled and endorsed. At the Antioch School I had consistently been urged to assume responsibility for my own learning. In any case, at Ridgewood everybody was relied upon to move alongside every other person, trudging at an all inclusive pace that was unreasonably quick for a few and vastly unreasonably delayed for other people. It was normal that we would suit our learning to benefit the class; nobody was permitted to move out of the commonplace musicality and learn for themselves. Our psyches were not our property, they had a place with a collective cerebrum bank and nobody could make a withdrawal without their different schoolmates taking out precisely the same sum. For instance, in spite of the fact that sentence structure had consistently been extremely simple for me, I was still regularly expected to finish four language structure assi gnments for each night alongside every other person in the class, regardless of whether I required them. I regularly discovered I didn't possess the energy for my own advantages or my own learning. Â I left Ridgewood with a firm thought in my mind: I was not returning the following year; I was going to self-teach. My folks and I had talked about this finally during the second 50% of my seventh grade year. There was so much I needed to do, such a significant number of things I needed to achieve that I knew would not be conceivable in the event that I stayed at Ridgewood. In this way, that last day, subsequent to stating goodbye to my companions and revealing to them I would not be restoring the following year, I at long last began to carry on with my life. Â That first year of self-teach was loaded up with such a mind blowing feeling of happiness.

FINAL QUESTIONS Assignment Example | Topics and Well Written Essays - 1250 words

Last QUESTIONS - Assignment Example At that point the clients of the systeme are resolved and the way in which they are going to utilize it so as to realize what to set up. In addition, input framework information and yield information framework is additionally settled. The necessity legitimacy is likewise evaluated at this stage. At this stage the rules are followed from the prerequisite particular original copy. The framework necessities are isolated in programming and equipment as specified by the prerequisite particular original copy. Besides, the general framework building is characterized subsequently denoting a structure determinations composition. The code is created at this stage and is vital as it is the principle focal point of the framework designer. The framework structure original copy directs the division of modules which prompts the beginning of coding. The procedure takes a ton of time. The code is the primary concern tried after execution. The code is tried against the prerequisites referenced in the necessities investigation. The necessities must be completely working and tackle the prerequisites needs as framework and combination testing are directed. The CEO’s job at the IT directing board of trustees is to assume liability of each activity that happens in the organization. The CEO settles on and executes choices and activities in the interest of the directorate and the organization. The CEO additionally guarantees a smooth activity of every day tasks in the organization. In numerous cases the CEO is additionally the leader of the organization and a part and executive of the top managerial staff. The CFO is under the CEO. The CFO’s job at the IT controlling board of trustees is to evaluate money related information acquired by the IT division and even the organization itself. He/she is additionally liable for the detailing of IT department’s monetary execution in that he/she regulates uses, costs and arranges the spending plan to be utilized by the IT division. The CFO likewise gives IT department’s money related prosperity and veracity to bodies like the Securities and

Need Self-Publishing Help Check out the ALLi Self-Publishing Advice Center

Need Self-Publishing Help Check out the ALLi Self-Publishing Advice Center Where would we be without some good advice? Whether you are an established author seeking the freedom provided by self-publishing, or a burgeoning young writer focused on crafting the perfect debut novel, there is an understandable pressure to seek out the best resources and tools to aid your professional and creative development. Whether you are developing writing, editorial, or design skills, or you are concerned with the production and promotion of a completed work â€" it helps to have someone with experience in your corner. Not just that â€" it helps to have someone who understands the legalese of the self-publishing landscape. As aspiring and current independent authors know well, success sometimes comes down to rights, contracts, time, and money; and, it sometimes comes down to knowing what you are worth and how to prove it. To that end, rather than comb Google search results for the appropriate factual minutia, the great editors and independent authors at SelfPublishingAdvice. org have brought together a number of useful resources, all in one place, and all for the little guy.Lets see your credentialsWith the swirl of advice on the internet bombarding self-publishers, wed be crazy not to check our sources. When it comes to bonafide credentials, the good people behind SelfPublishingAdvice.org and The Alliance of Independent Authors (ALLi) exhibit some hard-hitting experience in their fields.The Self Publishing Advice Center is one of the ways in which ALLi contributes to the community. They also advocate for self-publishing authors within the publishing business, at rights fairs and other events, and promote self-publishing as a viable and creative option for authors. Their mission is excellence and ethics in self-publishing, and they do a lot of work in both arenas.Orna Ross is the managing editor and director of both the Alliance of Independent Authors and SelfPublishingAdvice.org. More than just a huge job title though, she has experience negotiating ex actly the type of claims that an independent publisher might encounter. In 2011, Orna took her publishing rights back from Penguin Publishing. Then, in 2012, Orna launched ALLi, seeking opportunities for publishers like her which were unavailable through traditional publishing routes. She went on to publish several works of fiction, non-fiction, and even poetry; and, of course, she was recognized for all this as one of The 100 most influential people in publishing according to Bookseller Magazine.Orna Ross creative team is equally impressive: Debbie Young is the commissioning editor and ALLi UK ambassador. She writes, of course â€" short stories and author guidebooks; but, more importantly, she is a founding creator of the Hawkesbury Upton Literature Festival, and the co-host alongside David Penny of the Ask ALLi Self-Publishing QA Podcast. Other members of the team are Michael La Ronn who is an author of over 30 science fiction and fantasy novels, as well as Dan Holloway who is a j ournalist, editor, and performer with The New Libertines. He is famous for his spoken prose and slam poetry. These are the type of people who know the field and who can teach others from experience. Of course, the team isnt all about publishing and writing: John Doppler and David Penny contribute articles and advice regarding e-publishing and other technologies useful for authors, and Jay Artale writes content designed to help independent authors create a social media presence. They really are the whole package.Alright, but whats in it for me?Reliable free resources organized by need are the calling cards of this site. It presents helpful articles and exemplary social media outreach. This site has its hands in everything â€" blogs, journal articles, podcasts, instructional videos, and guest post submissions from leaders in the fields of digital, traditional, and self-publishing. The site contains the backbone articles weve come to expect â€" writing advice pieces on the snowflake me thod and discussions of events in the literary world like the sensation that is National Novel Writing Month (an event that has been growing steadily each year since it was imagined and launched in 1999). The site then leads you step-by-step through the process of taking your written word, and helping it reach the masses.EditingEditing discussions unique to independent editors are approached with the know-how of those who have gone through the process. Topics such as beta readers, do-it-yourself editing tools, and resources for seeking out a professional editor are all available â€" and all presented by people who have been there and done that.DesignSelfPublishingAdvice.org offers articles on how to choose software (on a budget or otherwise) which will help the aspiring self-publisher create a manuscript ready for any digital format, or which can then be sent direct to the printing house. What really shines in the design section are the video essay reviews of each and every popular cover design process, from ready-made templates and pre-made covers to working with bespoke and the true do-it-yourself. All of these design processes are described in detail with visual examples, often taken from the authors own stable of covers.ProductionIn terms of production, the advice given is a treasure trove. Articles cover every method of distribution, as well as everything from file formats â€" their benefits and drawbacks â€" to the methods which will make the most of your time when publishing with the big-name distributors like Smashwords and Amazon.PromotionThe promotion section of the website offers step-by-step videos for designing an author website and creating a social media presence on Goodreads, Facebook, and Twitter. What is really valuable though are the unique angles given for promotion. The site includes videos which describe how to design book promotions, and how to get the most out of those promotions, as well as how to avoid the pitfalls of investing too mu ch or too little in promotion. It offers a host of offline activities which can be beneficial to an independent publisher, and tips for optimizing your relevance on search engines within sites like Amazon or Smashwords.Rights and contracts (legalese)This section is essential. It covers topics such as selling the rights to your work in a foreign country, landing that big film deal, and what contracts to sign â€" and which ones to avoid. Two pieces which stood out in this section were the podcast on legal essentials and the IPR and TMA Alli initiatives. The first is a brilliant starting point for indie authors who dont want to lawyer up, and the last two are initiatives which strive to provide licensing consultations and rights protection services, respectively.Time and moneyTime and money are the bottom line for some of us (and a headache of a distraction for others). This section of SelfPublishingAdvice.org cant be ignored by any of us. It includes advice regarding recent trends lik e crowdfunding: how to go about it, what monetary goal to set, how to manage expectations, and building your campaign. It also does a superb job of providing advice regarding traditional concerns such as the following: how to earn a living wage; how to pay taxes when selling in multiple countries; and answering the age-old question art or commerce?How can I act on all of this advice?Contrary to its namesake, SelfPublishingAdvice.org hasnt limited itself to just offering great advice. The website features a showcase of works by members of the Alliance of Independent Authors, and opportunities to write for the Self-Publishing Advice Community Blog. Each of these is a good way for new authors to be seen, and for experienced authors to pass on their wisdom.Better though are the self-publishing services provided by the website â€" especially their watchdog reports and vetting service. ALLi has an independent code of standards against which they measure publishers and companies affiliated with the self-publishing industry (illustration houses, printing presses, etc.). Vetting by ALLi can let a self-publisher know if the rates charged by the company are appropriate to the service rendered, and can identify a presence or lack of credible testimonials from previous clients. These watchdog reports help the individual author avoid being taken advantage of, which is basically ALLis modus operandi: indie authors helping and protecting other indie authors.Finally, for those of us looking for a quick overview, ALLi publishes ratings and reviews of self-publishing services and writing and publishing contests. This system clearly labels each contest and company as either reliable or unreliable, and offers reasoning for each qualification. For example, one publishing press has a watchdog advisory posted for a staggering number of complaints regarding transparency, marketing and quality, which is of course a major red flag independent authors would be wise to notice before entru sting their work to such a company. If only for peace of mind, the watchdog ratings offered in the Self-Publishing Services section of the site are invaluable.The really cool stuff: Indie Author Fringe ConferenceIndie Author Fringe is a three-times a year online conference for self-publishing authors. This is the type of event that is likely to present avenues to a self-publishing author which they wouldnt otherwise discover. Each event includes speakers from a wide variety of fields related to self-publishing, and a number of competitions designed to help your book reach your audience.If that werent enough, SelfPublishingAdvice.org offers a weekly podcast which is not only a useful resource, but an easy listen, and includes guests with a wide variety of experiences in the field. Each of these is about thirty minutes long, and packed full from beginning to end with helpful hints for anyone in the publishing industry.Okay… what if I want more?SelfPublishingAdvice.org is a non-profi t organization. All of the resources described above are offered completely free of charge. The Alliance of Independent Authors is also a non-profit organization. They charge a fee to pay their staff and team, but all profits go to benefit the indie author community. They offer a host of pay-to-play resources which are aimed at the aspiring or current indie author, and should be within the budget of most interested parties. These come in the form of membership in the alliance, which offers a host of resources and a supportive community of other self-publishers, and in the form of guidebooks. These guidebooks are detailed electronic manuals which address a variety of issues, and usually come in at about ten dollars for 200+ pages of advice.The take awayFree has been and will forever be a good price for information, but of course not all wisdom is created equal. Its only natural to want advice from those who understand their field. The advice offered at SelfPublishingAdvice.org is not only pertinent, but it is well-organized and presented in a clear and professional manner. Writers, publishers, and designers who are visiting the site can easily find the articles and resources most pertinent to their immediate needs, and can be confident that the writers who develop articles for the site and design other content such as podcasts and videos are respected in their fields. They can recognize partners of the site such as Amazon Create Space and Apple iBooks, and be reassured that these are reliable companies which they can trust.There is a quantity of writing and publishing advice on the internet which is ever-growing, but SelfPublishingAdvice.org is a source of high-quality, professionally-sourced, and experience-backed advice targeted directly at specific problems encountered by independent publishers.

Need Self-Publishing Help Check out the ALLi Self-Publishing Advice Center

Need Self-Publishing Help Check out the ALLi Self-Publishing Advice Center Where would we be without some good advice? Whether you are an established author seeking the freedom provided by self-publishing, or a burgeoning young writer focused on crafting the perfect debut novel, there is an understandable pressure to seek out the best resources and tools to aid your professional and creative development. Whether you are developing writing, editorial, or design skills, or you are concerned with the production and promotion of a completed work â€" it helps to have someone with experience in your corner. Not just that â€" it helps to have someone who understands the legalese of the self-publishing landscape. As aspiring and current independent authors know well, success sometimes comes down to rights, contracts, time, and money; and, it sometimes comes down to knowing what you are worth and how to prove it. To that end, rather than comb Google search results for the appropriate factual minutia, the great editors and independent authors at SelfPublishingAdvice. org have brought together a number of useful resources, all in one place, and all for the little guy.Lets see your credentialsWith the swirl of advice on the internet bombarding self-publishers, wed be crazy not to check our sources. When it comes to bonafide credentials, the good people behind SelfPublishingAdvice.org and The Alliance of Independent Authors (ALLi) exhibit some hard-hitting experience in their fields.The Self Publishing Advice Center is one of the ways in which ALLi contributes to the community. They also advocate for self-publishing authors within the publishing business, at rights fairs and other events, and promote self-publishing as a viable and creative option for authors. Their mission is excellence and ethics in self-publishing, and they do a lot of work in both arenas.Orna Ross is the managing editor and director of both the Alliance of Independent Authors and SelfPublishingAdvice.org. More than just a huge job title though, she has experience negotiating ex actly the type of claims that an independent publisher might encounter. In 2011, Orna took her publishing rights back from Penguin Publishing. Then, in 2012, Orna launched ALLi, seeking opportunities for publishers like her which were unavailable through traditional publishing routes. She went on to publish several works of fiction, non-fiction, and even poetry; and, of course, she was recognized for all this as one of The 100 most influential people in publishing according to Bookseller Magazine.Orna Ross creative team is equally impressive: Debbie Young is the commissioning editor and ALLi UK ambassador. She writes, of course â€" short stories and author guidebooks; but, more importantly, she is a founding creator of the Hawkesbury Upton Literature Festival, and the co-host alongside David Penny of the Ask ALLi Self-Publishing QA Podcast. Other members of the team are Michael La Ronn who is an author of over 30 science fiction and fantasy novels, as well as Dan Holloway who is a j ournalist, editor, and performer with The New Libertines. He is famous for his spoken prose and slam poetry. These are the type of people who know the field and who can teach others from experience. Of course, the team isnt all about publishing and writing: John Doppler and David Penny contribute articles and advice regarding e-publishing and other technologies useful for authors, and Jay Artale writes content designed to help independent authors create a social media presence. They really are the whole package.Alright, but whats in it for me?Reliable free resources organized by need are the calling cards of this site. It presents helpful articles and exemplary social media outreach. This site has its hands in everything â€" blogs, journal articles, podcasts, instructional videos, and guest post submissions from leaders in the fields of digital, traditional, and self-publishing. The site contains the backbone articles weve come to expect â€" writing advice pieces on the snowflake me thod and discussions of events in the literary world like the sensation that is National Novel Writing Month (an event that has been growing steadily each year since it was imagined and launched in 1999). The site then leads you step-by-step through the process of taking your written word, and helping it reach the masses.EditingEditing discussions unique to independent editors are approached with the know-how of those who have gone through the process. Topics such as beta readers, do-it-yourself editing tools, and resources for seeking out a professional editor are all available â€" and all presented by people who have been there and done that.DesignSelfPublishingAdvice.org offers articles on how to choose software (on a budget or otherwise) which will help the aspiring self-publisher create a manuscript ready for any digital format, or which can then be sent direct to the printing house. What really shines in the design section are the video essay reviews of each and every popular cover design process, from ready-made templates and pre-made covers to working with bespoke and the true do-it-yourself. All of these design processes are described in detail with visual examples, often taken from the authors own stable of covers.ProductionIn terms of production, the advice given is a treasure trove. Articles cover every method of distribution, as well as everything from file formats â€" their benefits and drawbacks â€" to the methods which will make the most of your time when publishing with the big-name distributors like Smashwords and Amazon.PromotionThe promotion section of the website offers step-by-step videos for designing an author website and creating a social media presence on Goodreads, Facebook, and Twitter. What is really valuable though are the unique angles given for promotion. The site includes videos which describe how to design book promotions, and how to get the most out of those promotions, as well as how to avoid the pitfalls of investing too mu ch or too little in promotion. It offers a host of offline activities which can be beneficial to an independent publisher, and tips for optimizing your relevance on search engines within sites like Amazon or Smashwords.Rights and contracts (legalese)This section is essential. It covers topics such as selling the rights to your work in a foreign country, landing that big film deal, and what contracts to sign â€" and which ones to avoid. Two pieces which stood out in this section were the podcast on legal essentials and the IPR and TMA Alli initiatives. The first is a brilliant starting point for indie authors who dont want to lawyer up, and the last two are initiatives which strive to provide licensing consultations and rights protection services, respectively.Time and moneyTime and money are the bottom line for some of us (and a headache of a distraction for others). This section of SelfPublishingAdvice.org cant be ignored by any of us. It includes advice regarding recent trends lik e crowdfunding: how to go about it, what monetary goal to set, how to manage expectations, and building your campaign. It also does a superb job of providing advice regarding traditional concerns such as the following: how to earn a living wage; how to pay taxes when selling in multiple countries; and answering the age-old question art or commerce?How can I act on all of this advice?Contrary to its namesake, SelfPublishingAdvice.org hasnt limited itself to just offering great advice. The website features a showcase of works by members of the Alliance of Independent Authors, and opportunities to write for the Self-Publishing Advice Community Blog. Each of these is a good way for new authors to be seen, and for experienced authors to pass on their wisdom.Better though are the self-publishing services provided by the website â€" especially their watchdog reports and vetting service. ALLi has an independent code of standards against which they measure publishers and companies affiliated with the self-publishing industry (illustration houses, printing presses, etc.). Vetting by ALLi can let a self-publisher know if the rates charged by the company are appropriate to the service rendered, and can identify a presence or lack of credible testimonials from previous clients. These watchdog reports help the individual author avoid being taken advantage of, which is basically ALLis modus operandi: indie authors helping and protecting other indie authors.Finally, for those of us looking for a quick overview, ALLi publishes ratings and reviews of self-publishing services and writing and publishing contests. This system clearly labels each contest and company as either reliable or unreliable, and offers reasoning for each qualification. For example, one publishing press has a watchdog advisory posted for a staggering number of complaints regarding transparency, marketing and quality, which is of course a major red flag independent authors would be wise to notice before entru sting their work to such a company. If only for peace of mind, the watchdog ratings offered in the Self-Publishing Services section of the site are invaluable.The really cool stuff: Indie Author Fringe ConferenceIndie Author Fringe is a three-times a year online conference for self-publishing authors. This is the type of event that is likely to present avenues to a self-publishing author which they wouldnt otherwise discover. Each event includes speakers from a wide variety of fields related to self-publishing, and a number of competitions designed to help your book reach your audience.If that werent enough, SelfPublishingAdvice.org offers a weekly podcast which is not only a useful resource, but an easy listen, and includes guests with a wide variety of experiences in the field. Each of these is about thirty minutes long, and packed full from beginning to end with helpful hints for anyone in the publishing industry.Okay… what if I want more?SelfPublishingAdvice.org is a non-profi t organization. All of the resources described above are offered completely free of charge. The Alliance of Independent Authors is also a non-profit organization. They charge a fee to pay their staff and team, but all profits go to benefit the indie author community. They offer a host of pay-to-play resources which are aimed at the aspiring or current indie author, and should be within the budget of most interested parties. These come in the form of membership in the alliance, which offers a host of resources and a supportive community of other self-publishers, and in the form of guidebooks. These guidebooks are detailed electronic manuals which address a variety of issues, and usually come in at about ten dollars for 200+ pages of advice.The take awayFree has been and will forever be a good price for information, but of course not all wisdom is created equal. Its only natural to want advice from those who understand their field. The advice offered at SelfPublishingAdvice.org is not only pertinent, but it is well-organized and presented in a clear and professional manner. Writers, publishers, and designers who are visiting the site can easily find the articles and resources most pertinent to their immediate needs, and can be confident that the writers who develop articles for the site and design other content such as podcasts and videos are respected in their fields. They can recognize partners of the site such as Amazon Create Space and Apple iBooks, and be reassured that these are reliable companies which they can trust.There is a quantity of writing and publishing advice on the internet which is ever-growing, but SelfPublishingAdvice.org is a source of high-quality, professionally-sourced, and experience-backed advice targeted directly at specific problems encountered by independent publishers.

Education and Australian Marginalized Groups - 1101 Words

â€Å"From the surface one may look upon Australia as being the ‘lucky county’ however when explored deeper Kayleigh Richmond came to the conclusion that this so called ‘lucky country’ isn’t all that ‘lucky’ for marginalized groups in Australia, the literature of these marginalized groups in Australia certainly substantiates this point†. Many sources of literature suggest that Australia is not considered the lucky country for migrants, indigenous and other marginalized groups of people living in Australian society. Privileged Australians would say that Australia is the ‘lucky country’ and for them it may be but it certainty isn’t for everyone. So, what makes Australia appear to be the unlucky country for marginalized groups in Australia? Is it the Australian Government that prioritises and praises the, so called, ‘privileged people’ or even just that their cultural values and attitudes differ from ours? Social exclusion is a part of everyday life, right? However how would you feel if a place you once called home, suddenly over the years began to exclude you and change the rules? Would you feel less of a person if your country stopped listening to you? In the 18th century approximately 40,000 years before the European colonization, 750,000 to 1,000,000 indigenous people inhabited in Australia. The Indigenous Australians have a complex oral culture and an admiration for their land and their spiritual values were based upon their admirations to the dreamtime (Indigenous PeopleShow MoreRelatedAustralia and Indigenous People954 Words   |  4 Pagescame to the conclusion that this so called ‘lucky country’ isn’t all that ‘lucky’ for marginalized groups in Australia, the literature of these marginalized groups in Australia certainly substantiates this point†. Many sources of literature suggest that Australia is not considered the lucky country for migrants, indigenous and other marginalized groups of people living in Australian society. Privileged Australians would say that Australia is the ‘lucky country’ and for them it may be but it certaintyRead MoreAboriginals Marginalised in Todays Society1002 Words   |  5 PagesIndigenous Australians marginalized in today’s society Introduction Archaeologists believe that aboriginals first came to Australia about 45, 000 years ago and were the only population of humans in Australia until the British invasion. There are about 500 different aboriginal groups each with their own language and territory and usually made up of several separate clans. The aboriginals of Australia are marginalised in today society. This marginalisation began right back during the British invasionRead MoreCultural Issues in Nursing: Mexican-American Women1123 Words   |  4 Pagesburden imposed on citizens of the country. The issue for this paper though is what type of healthcare women in this situation are getting, and whether it is sufficient. This paper contends that this population is underserved for many reasons, and this group was chosen for that reason. One solution is to develop a cultural competence by understanding the populations culture, how they see healthcare workers, and to determine what their healthcare needs are. Article Summary In an article that lookedRead MoreRemote Areas Of Australia When Accessing Maternal Health Services1694 Words   |  7 Pagesindigenous and non-indigenous community. Report by Australian Institute of Health and Welfare (AIHW) reveals the rate of childbirth complications among the Aboriginal is twice that of the non-indigenous women (SBS, 2015). This essay seeks to analyze critically this phenomenon that disadvantages the aboriginal people living in remote areas of Australia when accessing maternal health services. Overview of cultural group The aboriginal are among the indigenous groups of Australia. Together with the Torres StraitRead MoreOral Health And Dental Care1541 Words   |  7 Pagesalso has a significant impact on health system. Poor ability to chew and swallow caused by dental disease can affect person’s overall nutrition. Furthermore, Poor oral health can also has impact on speech ability, sleep quality and productivity (Australian Governmenet 2015). Poor oral health is also associated with a number of other diseases. The impact of infection and inflammation of oral diseases, such as periodontal disease is considered to have important systemic impact (Williams et al. 2008)Read MoreThe Decline Of The Latin American And Caribbean Region1400 Words   |  6 Pagesarticle), the indigenous people of Peru are doing it themselves. According to Naughton’s lecture, the Indegenous people have three top priorities: gaining rights to the land and natural resources, political and cultural autonomy, and proper health and education services. Gaining rights to the land and natural resources would mean having authority over land mining practices, highway construction, and acts that lead to deforestation. A difference between the Indegenous people’s approach and the Mekong RiverRead MoreWhy Do Governments Participate During Ethnocide And How Can Removing One s Cultural Identity Harm Society As A Whole1728 Words   |  7 Pagesnation state that relegates any ethnic group to mandatory schooling that solely teaches state administered materials is making a dangerous decision. We are supposed to learn from our elders, if our elders cannot pass their cultural knowledge down to the younger generation, it will create a rift in that community that is visible throughout society. This study relies on three principal sources—The Indian Out of the Indian: U.S. Politics of Ethnocide Through Education by Donald Grinde (2004); RethinkingRead MoreThe Effects Of Ageism On The Delivery Of Nursing Care For The Older Person1736 Words   |  7 Pagesas well as Identifying and explaining two strategies that are effective in addressing ageism in health care. Ageism is a form of discrimination. Ageism is the discrimination of a person, or group of people based on their age (dictionary.com, 2016). Note that this can be discrimination of any age group, however for this essay, it will be used in the context of discrimination of the elderly population. The elderly population accounts for 50% of hospital stays, 70% of home health services and 90%Read MoreLack Of Socio Cultural Factors1594 Words   |  7 Pagesbackgrounds are placed at risk by school curriculums that are based on a sorting standard in which some students receive high-expectation instruction while the marginalized groups are regulated to lower quality education with an outcome of lower quality futures. â€Å"It is one thing to understand that in today’s society many minority groups are educationally disadvantaged due to their race, ethnicity, geographical location, socioeconomic status and gender. It is quite another thing to think that schoolsRead MoreAnalysis Of The Happiest Refugee1751 Words   |  8 PagesGood morning year twelve English and Mrs Broadway, Our cohort is nearing the end of its secondary education and therefore it is important that we reflect on the ways in which it has shaped our attitudes, values and beliefs. For example, over the past five years, we have read, analysed and evaluated various literary works such as novels, plays, poems and films in our English studies. These texts have expressed various ideologies, explored interesting themes and introduced us to fascinating characters

Invariable French Adjectives

In French, adjectives normally have to agree with the nouns they modify in gender and number. However, there are numerous adjectives which dont agree - they have a single form that does not change to reflect the gender or number of the noun. These are called invariable adjectives. Invariable Color Adjectives French color adjectives derived from nouns, such as animals, flowers, fruits, gems, and metals, are usually invariable:amarante  Ã‚  Ã‚  Ã‚  Ã‚  amaranthine (dark purple-red)ardoise  Ã‚  Ã‚  Ã‚  Ã‚  slate-greyargent  Ã‚  Ã‚  Ã‚  Ã‚  silveraubergine  Ã‚  Ã‚  Ã‚  Ã‚  eggplantauburn  Ã‚  Ã‚  Ã‚  Ã‚  auburnbrique  Ã‚  Ã‚  Ã‚  Ã‚  brick-redcanari  Ã‚  Ã‚  Ã‚  Ã‚  canary yellowcaramel  Ã‚  Ã‚  Ã‚  Ã‚  caramel-coloredcarmin  Ã‚  Ã‚  Ã‚  Ã‚  carminecerise  Ã‚  Ã‚  Ã‚  Ã‚  cherry redchair  Ã‚  Ã‚  Ã‚  Ã‚  flesh-coloredchampagne  Ã‚  Ã‚  Ã‚  Ã‚  champagnechocolat  Ã‚  Ã‚  Ã‚  Ã‚  chocolate-browncitron  Ã‚  Ã‚  Ã‚  Ã‚  lemon-yellowcrà ¨me  Ã‚  Ã‚  Ã‚  Ã‚  cream-coloredemeraude  Ã‚  Ã‚  Ã‚  Ã‚  emerald greengrenat  Ã‚  Ã‚  Ã‚  Ã‚  garnetindigo  Ã‚  Ã‚  Ã‚  Ã‚  indigokaki  Ã‚  Ã‚  Ã‚  Ã‚  khakilavande  Ã‚  Ã‚  Ã‚  Ã‚  lavenderlilas  Ã‚  Ã‚  Ã‚  Ã‚  lilacmarine  Ã‚  Ã‚  Ã‚  Ã‚  navy bluemarron  Ã‚  Ã‚  Ã‚  Ã‚  brownnoisette  Ã‚  Ã‚  Ã‚  Ã‚  hazelocr e  Ã‚  Ã‚  Ã‚  Ã‚  ochreolive  Ã‚  Ã‚  Ã‚  Ã‚  olive-greenor  Ã‚  Ã‚  Ã‚  Ã‚  goldorange  Ã‚  Ã‚  Ã‚  Ã‚  orangepastel  Ã‚  Ã‚  Ã‚  Ã‚  pastelpervenche  Ã‚  Ã‚  Ã‚  Ã‚  periwinklepie  Ã‚  Ã‚  Ã‚  Ã‚  (magpie) - piebald, black and whitepistache  Ã‚  Ã‚  Ã‚  Ã‚  pistachio-greenplatine  Ã‚  Ã‚  Ã‚  Ã‚  platinumprune  Ã‚  Ã‚  Ã‚  Ã‚  plumpuce  Ã‚  Ã‚  Ã‚  Ã‚  (flea) - pucerouille  Ã‚  Ã‚  Ã‚  Ã‚  rust-coloredrubis  Ã‚  Ã‚  Ã‚  Ã‚  ruby redsable  Ã‚  Ã‚  Ã‚  Ã‚  sandy, sand-coloredsafran  Ã‚  Ã‚  Ã‚  Ã‚  saffron-coloredsaphir  Ã‚  Ã‚  Ã‚  Ã‚  sapphire-bluesaumon  Ã‚  Ã‚  Ã‚  Ã‚  salmon-pinktabac  Ã‚  Ã‚  Ã‚  Ã‚  tobacco brownturquoise  Ã‚  Ã‚  Ã‚  Ã‚  turquoisevermillon  Ã‚  Ã‚  Ã‚  Ã‚  vermilionExceptions:   alezan (chestnut), fauve (tawny/fawn), incarnat (rosy), mauve, pourpre (crimson), rose (pink), vermeil (vermillion),and violet are variable according to the normal rules of agreement  chà ¢tain (chestnut brown) is semi-invariable - it usually agrees in number, but rarely in gender Multiple Colors When two or more colors describe a noun, they may or may not agree:1) If there are items of each individual color, the adjectives agree:   des drapeaux bleus, blancs, rouges - red, white, and blue flags (some are red, some are white, and some are blue)des chapeaux rouges et noirs - red and black hats (some are red and some are black) 2) If each item has all of the colors, the adjectives are invariable des drapeaux bleu, blanc, rouge - red, white, and blue flags (e.g., French flags)des chapeaux rouge et noir - red and black hats This is one instance where agreement is useful, because it gives you more detail than what is available in the English translation. Compound Colors When adjectives of color are modified by another adjective or a noun, the adjectives are invariable:une jupe gris clair  Ã‚  Ã‚  Ã‚  Ã‚  light gray skirtdes gants violet foncà ©Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  dark purple glovesune couleur rouge-orange  Ã‚  Ã‚  Ã‚  Ã‚  reddish-orange colordes yeux bleu-vert  Ã‚  Ã‚  Ã‚  Ã‚  blue-green eyesune voiture vert pomme  Ã‚  Ã‚  Ã‚  Ã‚  apple-green cardes fleurs rouge tomate  Ã‚  Ã‚  Ã‚  Ã‚  tomato-red flowers Adjectives Borrowed From Other Languages French adjectives borrowed from other languages are usually invariable:ad hoc  Ã‚  Ã‚  Ã‚  Ã‚  ad hoca priori  Ã‚  Ã‚  Ã‚  Ã‚  a prioriantitrust  Ã‚  Ã‚  Ã‚  Ã‚  anti-trustbaby  Ã‚  Ã‚  Ã‚  Ã‚  babybeat  Ã‚  Ã‚  Ã‚  Ã‚  beatnikcantilever  Ã‚  Ã‚  Ã‚  Ã‚  cantilevercharter  Ã‚  Ã‚  Ã‚  Ã‚  chartercheap  Ã‚  Ã‚  Ã‚  Ã‚  cheap  (poor quality)clean  Ã‚  Ã‚  Ã‚  Ã‚  cleancool  Ã‚  Ã‚  Ã‚  Ã‚  coolcurriculum vitae  Ã‚  Ã‚  Ã‚  Ã‚  curriculum vitae, rà ©sumà ©dance  Ã‚  Ã‚  Ã‚  Ã‚  related to dance musicdesign  Ã‚  Ã‚  Ã‚  Ã‚  designerdestroy  Ã‚  Ã‚  Ã‚  Ã‚  destroyed, trashed, wildexpress  Ã‚  Ã‚  Ã‚  Ã‚  related to espressofahrenheit  Ã‚  Ã‚  Ã‚  Ã‚  Fahrenheitfree-lance  Ã‚  Ã‚  Ã‚  Ã‚  freelancefun  Ã‚  Ã‚  Ã‚  Ã‚  funfunky  Ã‚  Ã‚  Ã‚  Ã‚  funkfurax  Ã‚  Ã‚  Ã‚  Ã‚  furiousglamour  Ã‚  Ã‚  Ã‚  Ã‚  glamorousgold  Ã‚  Ã‚  Ã‚  Ã‚  gold(en)gore  Ã‚  Ã‚  Ã‚  Ã‚  gorygratis  Ã‚  Ã‚  Ã‚  Ã‚  freegroggy  Ã‚  Ã‚  Ã‚  Ã‚  groggyhalal  Ã‚     Ã‚  Ã‚  halal  (in accordance with sharia principles)hi-fi  Ã‚  Ã‚  Ã‚  Ã‚  hi-fihigh-tech  Ã‚  Ã‚  Ã‚  Ã‚  high-techhot  Ã‚  Ã‚  Ã‚  Ã‚  hot (jazz)kascher  Ã‚  Ã‚  Ã‚  Ã‚  kosher (in accordance with Judaic principles)kitsch  Ã‚  Ã‚  Ã‚  Ã‚  kitschindoor  Ã‚  Ã‚  Ã‚  Ã‚  indoorinuit  Ã‚  Ã‚  Ã‚  Ã‚  Inuitjazzy  Ã‚  Ã‚  Ã‚  Ã‚  jazz, related to jazzkif-kif  Ã‚  Ã‚  Ã‚  Ã‚  same, identicalkitsch  Ã‚  Ã‚  Ã‚  Ã‚  kitschlambda  Ã‚  Ã‚  Ã‚  Ã‚  averge, typicallight  Ã‚  Ã‚  Ã‚  Ã‚  light, low in caloriesmarengo  Ã‚  Ã‚  Ã‚  Ã‚  Marengooffset  Ã‚  Ã‚  Ã‚  Ã‚  offsetoffshore  Ã‚  Ã‚  Ã‚  Ã‚  offshoreout  Ã‚  Ã‚  Ã‚  Ã‚  out  of touch, (tennis) outpeople  Ã‚  Ã‚  Ã‚  Ã‚  celebritypop  Ã‚  Ã‚  Ã‚  Ã‚  pop  (music, art)pro forma  Ã‚  Ã‚  Ã‚  Ã‚  pro formapunk  Ã‚  Ã‚  Ã‚  Ã‚  punkrecord  Ã‚  Ã‚  Ã‚  Ã‚  recordrelax  Ã‚  Ã‚  Ã‚  Ã‚  relaxed, informal, laid backrevolving  Ã‚  Ã‚  Ã‚  Ã‚  revolvingselect  Ã‚  Ã‚  Ã‚  Ã‚  select, high-clas s, poshsexy  Ã‚  Ã‚  Ã‚  Ã‚  sexysnob  Ã‚  Ã‚  Ã‚  Ã‚  snobby, snobbishsolo  Ã‚  Ã‚  Ã‚  Ã‚  solosoul  Ã‚  Ã‚  Ã‚  Ã‚  soul  (music)sport  Ã‚  Ã‚  Ã‚  Ã‚  casual, athletic (clothes, shoes)spot  Ã‚  Ã‚  Ã‚  Ã‚  (economics) spotstandard  Ã‚  Ã‚  Ã‚  Ã‚  standardstand-by  Ã‚  Ã‚  Ã‚  Ã‚  stand-bysterling  Ã‚  Ã‚  Ã‚  Ã‚  (pound) sterlingtango  Ã‚  Ã‚  Ã‚  Ã‚  bright orangetop  Ã‚  Ã‚  Ã‚  Ã‚  great, besttrash  Ã‚  Ã‚  Ã‚  Ã‚  trashy, base, tastelessvaudou  Ã‚  Ã‚  Ã‚  Ã‚  voodoovidà ©o  Ã‚  Ã‚  Ã‚  Ã‚  videowaterproof  Ã‚  Ã‚  Ã‚  Ã‚  waterproofzen  Ã‚  Ã‚  Ã‚  Ã‚  Zen

Conflicts of Race, Class and Gender Under the Hidden...

INTRODUCTION Dance Moms, in its fourth season on Lifetime, a channel whose main demographic is women, featuring dance studio owner/dance teacher Abby Lee Miller, is the flagship â€Å"maternal television† program to be examined in this paper. Abby is famous for the pyramid, a system in which she ranks her favorite dance students (top of the pyramid) and least favorite (bottom) directly in front of the students and their mothers. These three groups of females, particularly the mothers and Abby, are in constant negotiation with another as they fight for a place at top of the pyramid and this paper theorizes the techniques and reasons for their power negotiations. Employing the method of content analysis, I examine the†¦show more content†¦The women’s ways of negotiating are usually related to class and gender. However, race is not to be left out and can be a factor in these negotiations since dance mom Holly is the only African-American in an all-white cast. Analyzi ng how, gender, class and now race, play a role in these power negotiations will demonstrate how Abby represents men and a patriarchal society which in turn reveals the nature of hurt different women sustain as a group in a male-dominated world. The popularity of the program can be attributed to various socio economic factors. Mainly the economy plays a vital part in the popularity of reality television and Dance Moms. New technology has made cameras more mobile and allows viewers real-time glimpses of never before seen lives. Due to Dance Moms using â€Å"ordinary people† the program is also more inexpensive to produce. The popularity of talent shows such as Dancing with the Stars and a recent â€Å"tween boom† makes Dance Moms a familiar hit with females of various ages as various ages are present on the program. The behavior of the women is also due to the socioeconomic times they are in. Not needing to work despite the tough economy and fighting boredom, the mother s only worries are out doing one another— not figuring out how to pay a bill. Due to the mothers being high class, they provide insight into a world for the privileged. The program portrays supermoms that sacrifice their lives for their beautiful, talented